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NEW ECOLOGIES
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Map

A

Irwan Ahmett and Tita Salina

Museum Gunzenhauser, Stollberger Str. 2A
B

atelier le balto

Installation Square at the Alte Post/Bretgasse
C

Begehungen e.V. Chemnitz

Installation Neumühlenwehr, Georgstraße/Mühlenstraße
D

Claire Fontaine

Installation facade Museum Gunzenhauser, Falkeplatz/ Stollberger Straße 2
E

Forensis/Forensic Architecture

Installation square between Richard-Hartmann-Halle and Hartmannfabrik
F

Tue Greenfort

Installation Seeberplatz
G

Haubitz + Zoche

Installation Brückenstraße 15 / Straße der Nationen
H

Dresden Academy of Fine Arts (Class of Nevin Aladağ)

Chemnitz Open Space
H

Theresa Haupt and Karolina Konieczny (Class of Nevin Aladağ)

Chemnitz city bath, first floor, Mühlenstraße 27
H

Antje Meichsner (Class of Nevin Aladağ)

Media facade of the Chemnitz main station during the evening hours
H

Kea Uhlig (Class of Nevin Aladağ)

Square in front of the Chemnitz main station
H

Anna Lorenzana (Klasse Nevin Aladağ)

Advertising pillar, Annaberger Str. 120
I

Klub Solitaer e.V. Chemnitz

Galerie Hinten and Galerie Glaskasten, Zietenstraße Sonnenberg
J

OOZE (Eva Pfannes and Sylvain Hartenberg) and Marjetica Potrč

Installation construction pit behind TIETZ, Bahnhofsstraße/Zschopauer Strasse
K

Margrethe Pettersen

Documentation of a performance, river Chemnitz/Pfortensteg
L

Pochen Biennale Chemnitz with Ulrich Formann

Installation Foyer of the University Library, Straße der Nationen 33
M

raumlabor

Installation Roter Turm, Straße der Nationen 3
N

Gil Shachar

Installation Underground parking lot Theaterplatz, Film Kunstsammlungen am Theaterplatz, Theaterplatz 1
O

Simon Starling

Installation Kunstsammlungen am Theaterplatz, Theaterplatz 1
P

Simon Weckert

Installation besides Stadthalle Chemnitz
Q

Weltecho Oscar e.V. with Frank Maibier

Installation school garden of the Kooperationsschule, Brauhausstraße 16
O

Simon Starling

Still Phaethon Falls

Installation Kunstsammlungen am Theaterplatz, Theaterplatz 1
Simon Starling
Still Phaethon Falls, 2024
Installation Kunstsammlungen am Theaterplatz, Chemnitz
Foto: Kunstsammlungen Chemnitz/graukarte.info
© VG Bild-Kunst, Bonn 2024
Simon Starling Still Phaethon Falls, 2024 Installation Kunstsammlungen am Theaterplatz, Chemnitz Foto: Kunstsammlungen Chemnitz/graukarte.info © VG Bild-Kunst, Bonn 2024
Simon Starling
Still Phaethon Falls, 2024
Installation Kunstsammlungen am Theaterplatz, Chemnitz
Foto: Kunstsammlungen Chemnitz/graukarte.info
© VG Bild-Kunst, Bonn 2024
Simon Starling Still Phaethon Falls, 2024 Installation Kunstsammlungen am Theaterplatz, Chemnitz Foto: Kunstsammlungen Chemnitz/graukarte.info © VG Bild-Kunst, Bonn 2024
Simon Starling
Still Phaethon Falls, 2024
Installation Kunstsammlungen am Theaterplatz, Chemnitz
Foto: Kunstsammlungen Chemnitz/graukarte.info
© VG Bild-Kunst, Bonn 2024
Simon Starling Still Phaethon Falls, 2024 Installation Kunstsammlungen am Theaterplatz, Chemnitz Foto: Kunstsammlungen Chemnitz/graukarte.info © VG Bild-Kunst, Bonn 2024
Simon Starling
Still Phaethon Falls, 2024
Installation Kunstsammlungen am Theaterplatz, Chemnitz
Foto: Kunstsammlungen Chemnitz/graukarte.info
© VG Bild-Kunst, Bonn 2024
Simon Starling Still Phaethon Falls, 2024 Installation Kunstsammlungen am Theaterplatz, Chemnitz Foto: Kunstsammlungen Chemnitz/graukarte.info © VG Bild-Kunst, Bonn 2024

Simon Starling’s masked and moving straw puppet was originally part of the 2022 exhibition Metamorfuoco – roughly translated as “transformed by fire” – at the Galleria Estense in Modena, Italy. In an animated and lavishly illustrated lecture developed especially for Chemnitz, the straw man introduces himself – a storyteller, pedagogue and mask-wearing representative of Starling himself. “In a kind of artist’s talk, the strawman describes how, his presence in Chemnitz was inspired by my interest in the life and work of the locally born Hans Carl von Carlowitz (1645–1714). A 17th century tax accountant, turned mining administrator, von Carlowitz is widely considered to be the wellspring for the idea of sustainability in Germany.” Carlowitz saw how more and more forest was being cleared for mining, how the rising price of timber was driving mining companies to ruin and how logs were being delivered from ever more distant regions. With his work Sylvicultura Oeconomica (1713), he is regarded as the founder of the concept of forestry sustainability. The straw man ends his lecture with a German translation of Still Phaethon Falls, a poem-like text about man’s evolving relationship with fire, from the cave to the climate catastrophe. By reusing an earlier work of art and, instead of travelling far, having a puppet represent him, Simon Starling’s idea of sustainability emerges not only conceptually but also in the mode of production.

The Kunstsammlungen am Theaterplatz are open Tuesdays, Thursdays to Sundays and on public holidays from 11 am to 6 pm and Wednesdays from 2 pm to 9 pm.

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