• Projects
  • Map
  • Visit
  • Calendar
  • Programm
  • About us
  • Press
NEW ECOLOGIES
  • DE
  • EN

Map

A

Irwan Ahmett and Tita Salina

Museum Gunzenhauser, Stollberger Str. 2A
B

atelier le balto

Installation Square at the Alte Post/Bretgasse
C

Begehungen e.V. Chemnitz

Installation Neumühlenwehr, Georgstraße/Mühlenstraße
D

Claire Fontaine

Installation facade Museum Gunzenhauser, Falkeplatz/ Stollberger Straße 2
E

Forensis/Forensic Architecture

Installation square between Richard-Hartmann-Halle and Hartmannfabrik
F

Tue Greenfort

Installation Seeberplatz
G

Haubitz + Zoche

Installation Brückenstraße 15 / Straße der Nationen
H

Dresden Academy of Fine Arts (Class of Nevin Aladağ)

Chemnitz Open Space
H

Theresa Haupt and Karolina Konieczny (Class of Nevin Aladağ)

Chemnitz city bath, first floor, Mühlenstraße 27
H

Antje Meichsner (Class of Nevin Aladağ)

Media facade of the Chemnitz main station during the evening hours
H

Kea Uhlig (Class of Nevin Aladağ)

Square in front of the Chemnitz main station
H

Anna Lorenzana (Klasse Nevin Aladağ)

Advertising pillar, Annaberger Str. 120
I

Klub Solitaer e.V. Chemnitz

Galerie Hinten and Galerie Glaskasten, Zietenstraße Sonnenberg
J

OOZE (Eva Pfannes and Sylvain Hartenberg) and Marjetica Potrč

Installation construction pit behind TIETZ, Bahnhofsstraße/Zschopauer Strasse
K

Margrethe Pettersen

Documentation of a performance, river Chemnitz/Pfortensteg
L

Pochen Biennale Chemnitz with Ulrich Formann

Installation Foyer of the University Library, Straße der Nationen 33
M

raumlabor

Installation Roter Turm, Straße der Nationen 3
N

Gil Shachar

Installation Underground parking lot Theaterplatz, Film Kunstsammlungen am Theaterplatz, Theaterplatz 1
O

Simon Starling

Installation Kunstsammlungen am Theaterplatz, Theaterplatz 1
P

Simon Weckert

Installation besides Stadthalle Chemnitz
Q

Weltecho Oscar e.V. with Frank Maibier

Installation school garden of the Kooperationsschule, Brauhausstraße 16
L

Pochen Biennale Chemnitz with Ulrich Formann

Slotmachine

Installation Foyer of the University Library, Straße der Nationen 33
POCHEN Biennale Chemnitz mit Ulrich Formann
Slotmachine, 2024
Installation Foyer der Universitätsbibliothek,
Foto: Kunstsammlungen Chemnitz/graukarte.info
POCHEN Biennale Chemnitz mit Ulrich Formann Slotmachine, 2024 Installation Foyer der Universitätsbibliothek, Foto: Kunstsammlungen Chemnitz/graukarte.info
POCHEN Biennale Chemnitz mit Ulrich Formann
Slotmachine, 2024
Installation Foyer der Universitätsbibliothek,
Foto: Kunstsammlungen Chemnitz/graukarte.info
POCHEN Biennale Chemnitz mit Ulrich Formann Slotmachine, 2024 Installation Foyer der Universitätsbibliothek, Foto: Kunstsammlungen Chemnitz/graukarte.info
POCHEN Biennale Chemnitz mit Ulrich Formann
Slotmachine, 2024
Installation Foyer der Universitätsbibliothek,
Foto: Kunstsammlungen Chemnitz/graukarte.info
POCHEN Biennale Chemnitz mit Ulrich Formann Slotmachine, 2024 Installation Foyer der Universitätsbibliothek, Foto: Kunstsammlungen Chemnitz/graukarte.info
POCHEN Biennale Chemnitz mit Ulrich Formann
Slotmachine, 2024
Installation Foyer der Universitätsbibliothek,
Foto: Kunstsammlungen Chemnitz/graukarte.info
POCHEN Biennale Chemnitz mit Ulrich Formann Slotmachine, 2024 Installation Foyer der Universitätsbibliothek, Foto: Kunstsammlungen Chemnitz/graukarte.info

At first glance, the installation Slotmachine resembles a conventional departure board found in airport halls. Whether passengers or pilots, airlines or airports, they all have to follow the flight schedule. The work of media artist Ulrich Formann automatically retrieves the official departure schedules from European airports. These get compared with radar information from tracking websites, which list all flights that have actually taken off. The comparison of these two data sets results in a difference that shows all flights that do not appear on the display board in the departure hall. This reveals one of the downsides of global air traffic: ghost flights. After the railway and the car, the aeroplane has extended our range of travel and thus formed the basis of our flexible and mobile professional and private lives. At the same time, competing (budget-) airlines are dependent on the right to use airports. Slots grant airlines the right to use the airport infrastructure at a specific time. The use-it-or-lose-it principle is key here. If a slot is used less than 80 percent of the time, it is lost and a competing company receives the valuable time slot. In order to meet this quota and not have to give up the slot, flights are simply flown empty. The rational calculation result of the Slotmachine exposes the invisible but consequential structure behind market competition and permanent availability.

 

Loan of Generali Foundation / Museum der Moderne Salzburg

The University Library of the TU Chemnitz shows the work Mondays to Saturdays from 2 pm to 7 pm.

  • Impressum & Datenschutz
  • GEGENWARTEN | PRESENCES
  • Impressum & Datenschutz
  • GEGENWARTEN | PRESENCES
  • Impressum & Datenschutz
  • GEGENWARTEN | PRESENCES