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NEW ECOLOGIES
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Map

A

Irwan Ahmett and Tita Salina

Museum Gunzenhauser, Stollberger Str. 2A
B

atelier le balto

Installation Square at the Alte Post/Bretgasse
C

Begehungen e.V. Chemnitz

Installation Neumühlenwehr, Georgstraße/Mühlenstraße
D

Claire Fontaine

Installation facade Museum Gunzenhauser, Falkeplatz/ Stollberger Straße 2
E

Forensis/Forensic Architecture

Installation square between Richard-Hartmann-Halle and Hartmannfabrik
F

Tue Greenfort

Installation Seeberplatz
G

Haubitz + Zoche

Installation Brückenstraße 15 / Straße der Nationen
H

Dresden Academy of Fine Arts (Class of Nevin Aladağ)

Chemnitz Open Space
H

Theresa Haupt and Karolina Konieczny (Class of Nevin Aladağ)

Chemnitz city bath, first floor, Mühlenstraße 27
H

Antje Meichsner (Class of Nevin Aladağ)

Media facade of the Chemnitz main station during the evening hours
H

Kea Uhlig (Class of Nevin Aladağ)

Square in front of the Chemnitz main station
H

Anna Lorenzana (Klasse Nevin Aladağ)

Advertising pillar, Annaberger Str. 120
I

Klub Solitaer e.V. Chemnitz

Galerie Hinten and Galerie Glaskasten, Zietenstraße Sonnenberg
J

OOZE (Eva Pfannes and Sylvain Hartenberg) and Marjetica Potrč

Installation construction pit behind TIETZ, Bahnhofsstraße/Zschopauer Strasse
K

Margrethe Pettersen

Documentation of a performance, river Chemnitz/Pfortensteg
L

Pochen Biennale Chemnitz with Ulrich Formann

Installation Foyer of the University Library, Straße der Nationen 33
M

raumlabor

Installation Roter Turm, Straße der Nationen 3
N

Gil Shachar

Installation Underground parking lot Theaterplatz, Film Kunstsammlungen am Theaterplatz, Theaterplatz 1
O

Simon Starling

Installation Kunstsammlungen am Theaterplatz, Theaterplatz 1
P

Simon Weckert

Installation besides Stadthalle Chemnitz
Q

Weltecho Oscar e.V. with Frank Maibier

Installation school garden of the Kooperationsschule, Brauhausstraße 16
E

Forensis/Forensic Architecture

Environmental Afterlives of Colonial Fractures

Installation square between Richard-Hartmann-Halle and Hartmannfabrik
Forensis/ Forensic Architecture
Environmental Afterlives of Colonial Fractures, 2024
Installation Richard-Hartmann-Halle/Hartmannfabrik, Chemnitz
Foto: Kunstsammlungen Chemnitz/graukarte.info
Forensis/ Forensic Architecture
Environmental Afterlives of Colonial Fractures, 2024
Installation Richard-Hartmann-Halle/Hartmannfabrik, Chemnitz
Foto: Kunstsammlungen Chemnitz/graukarte.info
Forensis/ Forensic Architecture 
Environmental Afterlives of Colonial Fractures, 2024
Überlieferte Zeugnisse zur Umwelt (Videostill)
© Forensic Architecture/Forensis, 2024
Forensis/ Forensic Architecture
Environmental Afterlives of Colonial Fractures, 2024
Installation Richard-Hartmann-Halle/Hartmannfabrik, Chemnitz
Foto: Kunstsammlungen Chemnitz/graukarte.info

In 1893, the German Schutztruppen attacked the Witbooi Nama settlement of ||Nâ‡gâs, also known as Hornkranz, in German Southwest Africa (present-day Namibia). This was the beginning of a genocidal campaign against the Herero and Nama peoples that reached its peak between 1904 and 1908. This project – a collaboration between Forensic Architecture / Forensis (FA), the Nama Traditional Leaders Association (NTLA) and the Ovaherero Traditional Authority (OTA) – uncovers traces of genocide hidden within the Namibian landscape and recovers memories of colonial atrocities present within the transformed environment, climate and vegetation, and reverberating through the oral tradition of its peoples. The Nama’s ancestral ways of life were attuned to the environment’s rhythms dictated by the availability of water and long-term recovery of grazed vegetation. These practices, and the lifeworlds that supported them, were obliterated by the colonial genocide and the expropriation of ancestral land, along with its cattle. Through a single bullet recovered from Hornkranz during the team’s fieldwork in 2023, this site-specific proposal draws the inextricable link between colonial genocide and environmental collapse/ecocide. The presentation of the work in the immediate area of the Hartmann factory also refers to the history of the Chemnitz machine factory, which is characterised not only by the production of locomotives and machines, but also by the manufacture of weapons.

The video, which is part of the installation, can be seen particularly well in the evening hours until 11 pm due to the lighting conditions.

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