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Map

A

Irwan Ahmett and Tita Salina

Museum Gunzenhauser, Stollberger Str. 2A
B

atelier le balto

Installation Square at the Alte Post/Bretgasse
C

Begehungen e.V. Chemnitz

Installation Neumühlenwehr, Georgstraße/Mühlenstraße
D

Claire Fontaine

Installation facade Museum Gunzenhauser, Falkeplatz/ Stollberger Straße 2
E

Forensis/Forensic Architecture

Installation square between Richard-Hartmann-Halle and Hartmannfabrik
F

Tue Greenfort

Installation Seeberplatz
G

Haubitz + Zoche

Installation Brückenstraße 15 / Straße der Nationen
H

Dresden Academy of Fine Arts (Class of Nevin Aladağ)

Chemnitz Open Space
H

Theresa Haupt and Karolina Konieczny (Class of Nevin Aladağ)

Chemnitz city bath, first floor, Mühlenstraße 27
H

Antje Meichsner (Class of Nevin Aladağ)

Media facade of the Chemnitz main station during the evening hours
H

Kea Uhlig (Class of Nevin Aladağ)

Square in front of the Chemnitz main station
H

Anna Lorenzana (Klasse Nevin Aladağ)

Advertising pillar, Annaberger Str. 120
I

Klub Solitaer e.V. Chemnitz

Galerie Hinten and Galerie Glaskasten, Zietenstraße Sonnenberg
J

OOZE (Eva Pfannes and Sylvain Hartenberg) and Marjetica Potrč

Installation construction pit behind TIETZ, Bahnhofsstraße/Zschopauer Strasse
K

Margrethe Pettersen

Documentation of a performance, river Chemnitz/Pfortensteg
L

Pochen Biennale Chemnitz with Ulrich Formann

Installation Foyer of the University Library, Straße der Nationen 33
M

raumlabor

Installation Roter Turm, Straße der Nationen 3
N

Gil Shachar

Installation Underground parking lot Theaterplatz, Film Kunstsammlungen am Theaterplatz, Theaterplatz 1
O

Simon Starling

Installation Kunstsammlungen am Theaterplatz, Theaterplatz 1
P

Simon Weckert

Installation besides Stadthalle Chemnitz
Q

Weltecho Oscar e.V. with Frank Maibier

Installation school garden of the Kooperationsschule, Brauhausstraße 16
D

Claire Fontaine

On Fire

Installation facade Museum Gunzenhauser, Falkeplatz/ Stollberger Straße 2
Claire Fontaine
On Fire, 2024
Installation Museum Gunzenhauser, Chemnitz
Foto: Kunstsammlungen Chemnitz/graukarte.info
© VG Bild-Kunst, Bonn 2024
Claire Fontaine On Fire, 2024 Installation Museum Gunzenhauser, Chemnitz Foto: Kunstsammlungen Chemnitz/graukarte.info © VG Bild-Kunst, Bonn 2024
Claire Fontaine
On Fire, 2024
Installation Museum Gunzenhauser, Chemnitz
Foto: Kunstsammlungen Chemnitz/graukarte.info
© VG Bild-Kunst, Bonn 2024
Claire Fontaine On Fire, 2024 Installation Museum Gunzenhauser, Chemnitz Foto: Kunstsammlungen Chemnitz/graukarte.info © VG Bild-Kunst, Bonn 2024
Claire Fontaine
On Fire, 2024
Installation Museum Gunzenhauser, Chemnitz
Foto: Kunstsammlungen Chemnitz/graukarte.info
© VG Bild-Kunst, Bonn 2024
Claire Fontaine On Fire, 2024 Installation Museum Gunzenhauser, Chemnitz Foto: Kunstsammlungen Chemnitz/graukarte.info © VG Bild-Kunst, Bonn 2024
Claire Fontaine
On Fire, 2024
Installation Museum Gunzenhauser, Chemnitz
Foto: Kunstsammlungen Chemnitz/graukarte.info
© VG Bild-Kunst, Bonn 2024
Claire Fontaine On Fire, 2024 Installation Museum Gunzenhauser, Chemnitz Foto: Kunstsammlungen Chemnitz/graukarte.info © VG Bild-Kunst, Bonn 2024

In 2019, then 16 years old Greta Thunberg gave the famous speech in Davos beginning with the words “our house is on fire” concluding with the statement: “I don’t want your hope, (…) I want you to panic, I want you to act as if it is an emergency, as if our house is on fire, because it is”. Five years later the temperature on our planet has kept on rising and last summer has been the hottest to date since temperatures have been recorded on earth. The climate crisis is no longer just the subject of scientific warnings and climate activists‘ demands; it has now also begun to affect the Global North. Behind the name Claire Fontaine are Fulvia Carnevale and James Thornhill, who repeatedly use striking advertising media such as light boxes and neon tubes for their work. Five light boxes depicting fire emojis have been installed at the Museum Gunzenhauser in the former headquarters of Sparkasse Chemnitz. „Partly for the love of concision and partly out of shyness, we have become accustomed to use these prefabricated images in our exchanges rather than translating feeling with words. – Emojis are our hieroglyphics, pictograms to describe the spiritual and the trivial.“, says Claire Fontaine. Visible from afar, the signs express our undirected panic, warning and demanding – without naming exactly what.

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