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NEW ECOLOGIES
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Map

A

Irwan Ahmett and Tita Salina

Museum Gunzenhauser, Stollberger Str. 2A
B

atelier le balto

Installation Square at the Alte Post/Bretgasse
C

Begehungen e.V. Chemnitz

Installation Neumühlenwehr, Georgstraße/Mühlenstraße
D

Claire Fontaine

Installation facade Museum Gunzenhauser, Falkeplatz/ Stollberger Straße 2
E

Forensis/Forensic Architecture

Installation square between Richard-Hartmann-Halle and Hartmannfabrik
F

Tue Greenfort

Installation Seeberplatz
G

Haubitz + Zoche

Installation Brückenstraße 15 / Straße der Nationen
H

Dresden Academy of Fine Arts (Class of Nevin Aladağ)

Chemnitz Open Space
H

Theresa Haupt and Karolina Konieczny (Class of Nevin Aladağ)

Chemnitz city bath, first floor, Mühlenstraße 27
H

Antje Meichsner (Class of Nevin Aladağ)

Media facade of the Chemnitz main station during the evening hours
H

Kea Uhlig (Class of Nevin Aladağ)

Square in front of the Chemnitz main station
H

Anna Lorenzana (Klasse Nevin Aladağ)

Advertising pillar, Annaberger Str. 120
I

Klub Solitaer e.V. Chemnitz

Galerie Hinten and Galerie Glaskasten, Zietenstraße Sonnenberg
J

OOZE (Eva Pfannes and Sylvain Hartenberg) and Marjetica Potrč

Installation construction pit behind TIETZ, Bahnhofsstraße/Zschopauer Strasse
K

Margrethe Pettersen

Documentation of a performance, river Chemnitz/Pfortensteg
L

Pochen Biennale Chemnitz with Ulrich Formann

Installation Foyer of the University Library, Straße der Nationen 33
M

raumlabor

Installation Roter Turm, Straße der Nationen 3
N

Gil Shachar

Installation Underground parking lot Theaterplatz, Film Kunstsammlungen am Theaterplatz, Theaterplatz 1
O

Simon Starling

Installation Kunstsammlungen am Theaterplatz, Theaterplatz 1
P

Simon Weckert

Installation besides Stadthalle Chemnitz
Q

Weltecho Oscar e.V. with Frank Maibier

Installation school garden of the Kooperationsschule, Brauhausstraße 16
C

Begehungen e.V. Chemnitz

„Der Chemnitzfluss soll wieder leben“ 1990 re-enacted

Installation Neumühlenwehr, Georgstraße/Mühlenstraße
Begehungen e.V. Chemnitz
“Der Chemnitzfluss soll wieder leben“ 1990 re-enacted, 2024
Installation Neumühlenwehr, Chemnitz
Foto: Kunstsammlungen Chemnitz/graukarte.info
Begehungen e.V. Chemnitz “Der Chemnitzfluss soll wieder leben“ 1990 re-enacted, 2024 Installation Neumühlenwehr, Chemnitz Foto: Kunstsammlungen Chemnitz/graukarte.info
Begehungen e.V. Chemnitz
“Der Chemnitzfluss soll wieder leben“ 1990 re-enacted, 2024
Installation Neumühlenwehr, Chemnitz
Foto: Kunstsammlungen Chemnitz/graukarte.info
Begehungen e.V. Chemnitz “Der Chemnitzfluss soll wieder leben“ 1990 re-enacted, 2024 Installation Neumühlenwehr, Chemnitz Foto: Kunstsammlungen Chemnitz/graukarte.info
Begehungen e.V. Chemnitz
“Der Chemnitzfluss soll wieder leben“ 1990 re-enacted, 2024
Installation Neumühlenwehr, Chemnitz
Foto: Kunstsammlungen Chemnitz/graukarte.info
Begehungen e.V. Chemnitz “Der Chemnitzfluss soll wieder leben“ 1990 re-enacted, 2024 Installation Neumühlenwehr, Chemnitz Foto: Kunstsammlungen Chemnitz/graukarte.info

In April 1990, a group of environmental activists organised a protest to draw attention to the devastating state of the Chemnitz River: After decades of industrial pollution, it was biologically dead. The Begehungen e.V. association, which has been organising the art festival of the same name at various locations since 2003, is reenacting this action in the NEW ECOLOGIES exhibition. They write: “Today, 35 years after 1989, the prominent role played by environmental groups in the Peaceful Revolution in the GDR has largely been forgotten. Those who were committed to environmental protection risked a lot, because criticising the catastrophic conditions in many places also meant criticising the state. No one could deny the dramatic nature of the situation when faced with dead rivers such as the Chemnitz, the dead forests on the Erzgebirge ridge or the carbonblackened pavements in Espenhain.” The environmental movements in Germany were largely accepted by society from the 1990s onwards. Today, the Chemnitz River has been largely cleared and renaturalised in places. Even today, it is becoming increasingly urgent to take action in the man-made climate crisis. Between the new banner and the panels with historical footage, questions come up: what is the point? What is being repeated? Which demands are still valid? What is coming back? And what can we learn from?

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