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Map

A

Irwan Ahmett and Tita Salina

Museum Gunzenhauser, Stollberger Str. 2A
B

atelier le balto

Installation Square at the Alte Post/Bretgasse
C

Begehungen e.V. Chemnitz

Installation Neumühlenwehr, Georgstraße/Mühlenstraße
D

Claire Fontaine

Installation facade Museum Gunzenhauser, Falkeplatz/ Stollberger Straße 2
E

Forensis/Forensic Architecture

Installation square between Richard-Hartmann-Halle and Hartmannfabrik
F

Tue Greenfort

Installation Seeberplatz
G

Haubitz + Zoche

Installation Brückenstraße 15 / Straße der Nationen
H

Dresden Academy of Fine Arts (Class of Nevin Aladağ)

Chemnitz Open Space
H

Theresa Haupt and Karolina Konieczny (Class of Nevin Aladağ)

Chemnitz city bath, first floor, Mühlenstraße 27
H

Antje Meichsner (Class of Nevin Aladağ)

Media facade of the Chemnitz main station during the evening hours
H

Kea Uhlig (Class of Nevin Aladağ)

Square in front of the Chemnitz main station
H

Anna Lorenzana (Klasse Nevin Aladağ)

Advertising pillar, Annaberger Str. 120
I

Klub Solitaer e.V. Chemnitz

Galerie Hinten and Galerie Glaskasten, Zietenstraße Sonnenberg
J

OOZE (Eva Pfannes and Sylvain Hartenberg) and Marjetica Potrč

Installation construction pit behind TIETZ, Bahnhofsstraße/Zschopauer Strasse
K

Margrethe Pettersen

Documentation of a performance, river Chemnitz/Pfortensteg
L

Pochen Biennale Chemnitz with Ulrich Formann

Installation Foyer of the University Library, Straße der Nationen 33
M

raumlabor

Installation Roter Turm, Straße der Nationen 3
N

Gil Shachar

Installation Underground parking lot Theaterplatz, Film Kunstsammlungen am Theaterplatz, Theaterplatz 1
O

Simon Starling

Installation Kunstsammlungen am Theaterplatz, Theaterplatz 1
P

Simon Weckert

Installation besides Stadthalle Chemnitz
Q

Weltecho Oscar e.V. with Frank Maibier

Installation school garden of the Kooperationsschule, Brauhausstraße 16
A

Irwan Ahmett and Tita Salina

Never Take Life Seriously, Nobody Gets Out Alive Anyway

Museum Gunzenhauser, Stollberger Str. 2A
Irwan Ahmett und Tita Salina 
Never Take Life Seriously, Nobody Gets Out Alive Anyway, 2024
Performance Jakobikirchplatz, Chemnitz
Foto: Kunstsammlungen Chemnitz/graukarte.info
Irwan Ahmett und Tita Salina Never Take Life Seriously, Nobody Gets Out Alive Anyway, 2024 Performance Jakobikirchplatz, Chemnitz Foto: Kunstsammlungen Chemnitz/graukarte.info
Irwan Ahmett und Tita Salina 
Never Take Life Seriously, Nobody Gets Out Alive Anyway, 2024
Performance Jakobikirchplatz, Chemnitz
Foto: Kunstsammlungen Chemnitz/graukarte.info
Irwan Ahmett und Tita Salina Never Take Life Seriously, Nobody Gets Out Alive Anyway, 2024 Performance Jakobikirchplatz, Chemnitz Foto: Kunstsammlungen Chemnitz/graukarte.info
Irwan Ahmett und Tita Salina 
Never Take Life Seriously, Nobody Gets Out Alive Anyway, 2024
Performance Jakobikirchplatz, Chemnitz
Foto: Kunstsammlungen Chemnitz/graukarte.info
Irwan Ahmett und Tita Salina Never Take Life Seriously, Nobody Gets Out Alive Anyway, 2024 Performance Jakobikirchplatz, Chemnitz Foto: Kunstsammlungen Chemnitz/graukarte.info
Irwan Ahmett und Tita Salina 
Never Take Life Seriously, Nobody Gets Out Alive Anyway, 2024
Performance Jakobikirchplatz, Chemnitz
Foto: Kunstsammlungen Chemnitz/graukarte.info
Irwan Ahmett und Tita Salina Never Take Life Seriously, Nobody Gets Out Alive Anyway, 2024 Performance Jakobikirchplatz, Chemnitz Foto: Kunstsammlungen Chemnitz/graukarte.info

In Chemnitz, Salina and Ahmett are continuing a series of playful and performative works that they began in Jakarta in 2010. Following an intuitive sense for interesting observations on the relationship between people and their environment, they initiate – often long-term – processes, to which they usually invite other people. While the volcanic area under today‘s Chemnitz is extinct, volcanic eruptions and earthquakes, especially in Java, have a dangerous, potentially life-threatening nature. Now that the first effects of the climate crisis are beginning to be recognised in Europe, entire cities in Indonesia are already being relocated and islands are being cleared, threatening to be flooded by rising sea levels, while mountains of waste, mainly from the global North, are piling up. In all of this, Salina and Ahmett focus on a shared human experience: the first human cry, when a baby takes its first breath outside the amniotic fluid. Referring to this climatic shock that we all carry within us, the sounds of endangered monkey species and speechless calls that people use to communicate with each other over long distances, the artists developed a performance together with Chemnitz residents that plays with echoes in the urban space. Despite all the humour that characterises the performance and its video documentation, like all of Salinas and Ahmett‘s works, there is always a tragic and essential aspect of life on this planet hidden behind it.

 

Performance on: 22nd, 25th and 29th of June, 5pm at Jakobikirchplatz (alley between Jakobichurch and old city hall)
The video documentation will be presented in the foyer of the Museum Gunzenhauser from July on.

I am on site

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